Perhaps best known as Mozart’s comic opera, The Marriage of Figaro was originally a 1778 comedy play by the French playwright, Beaumarchais. Now adapted by Scottish playwright D.C. Jackson and ...

CSUN Theatre and Music departments debuted “The Marriage of Figaro” on Nov. 20, showcasing the classic Mozart opera for the modern audience. The opera was directed by Maurice Godin, with music ...

A hokey, old-fashioned painted curtain covering the Dorothy Chandler Pavilion stage was not an encouraging first sight. The vivacious overture conducted with grace and fluidity did, on the other hand, ...

The Palm Beach Opera kicked off the opening night of its final production of the 2025 season, Mozart’s "Le nozze di Figaro," (The Marriage of Figaro) on Friday night at the Kravis Center. The ...

For more than 200 years, Gioachino Rossini’s “The Barber of Seville” and Mozart’s “The Marriage of Figaro” have been among the best-known operas in the world, with comical stories and lively music ...

When it comes to Mozart’s opera "The Marriage of Figaro," Adam Plachetka has sung both of its leading male roles: Figaro and Count Almaviva. And when the Czech bass-baritone finishes his three-day run ...

Amarillo Opera is presenting Mozart's "The Marriage of Figaro" for one night only on Saturday, Oct. 4. The opera, directed locally by Cynthia Stokes, tells a story of love, mischief, and forgiveness ...

Opera Theatre of St. Louis has opened its 44th festival season. This is St. Louis' prized centerpiece of opera, with a world-wide reputation. It is famous for its superb productions. The company's ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Joana Mallwitz is in calm, stylish command making her debut with Mozart’s “The Marriage of Figaro,” running in repertory with “The ...

Anthony Roth Costanzo’s one-man(ish) Marriage of Figaro is a mixed bag. Photo by Nina Westervelt Here’s the pitch: countertenor Anthony Roth Costanzo will perform Marriage of Figaro at Little Island.

Opera is impossible and always has been. The operatic ideal, an imagined union of all the human senses and all art forms—music, drama, dance, poetry, painting—is unattainable by its very nature. This ...