There’s a conversation that happens on nearly every independent film production at some point during pre-production. The director describes a shot they want — a sweeping aerial view of a fantasy ...

At this year’s FMX in Stuttgart, ZEISS is showing an interesting extension of its CinCraft lens tech ecosystem that will allow VFX and compositing artists to apply an authentic lens look to content in ...

Digital backgrounds may not be as obvious as they once were, but improvements in technology have made background replacement into a safer, cheaper and more flexible substitute for real-life locations ...

Discover how to create stunning next-gen VFX composites using Runway Aleph and Adobe After Effects! Learn powerful techniques to elevate your editing and visual effects workflow. #VFX #AfterEffects ...

The visual effects house created a series of invisible VFX focused on expansive environments, dramatic weather and ...

It’s no secret that in the world of visual effects compositing, The Foundry’s Nuke has led the pack in recent years. Both large studios and smaller facilities have adopted the popular node-based ...

Stadium crowds were a common VFX problem to solve, Emmy-nominated compositing supervisor for Ted Lasso' Bill Parker explained, with reactionary crowds requiring frequent changes in techniques.

Mulan's VFX team describes their work on the film and how to create digital extras for new productions amid COVID-19. By Carolyn Giardina Tech Editor A key assignment for the visual effects team ...

Milk VFX, a Phantom Media Group company, delivered 662 visual effects shots for Under Salt Marsh, produced by Little Door ...