It may not have the focus and flair of How to Train Your Dragon, but Chris Sanders’ quirky tale of an unlikely bond between an upbeat android and an orphaned gosling has a lot of heart.

A Sudden Glimpse to Deeper Things arrives in UK cinemas 18 October.

Don Hertzfeldt turns an unrealised musical collaboration into a wordless animated dystopia that blends inter-dimensional compositions with the broken-puzzle poetry of Mulholland Dr. (2001).

WorkWise for Screen is a pilot to support screen businesses and employers to prioritise equality, dignity and respect in the workplace and sector specific guidance on the government’s incoming ...

Sean Baker, director of the Palme d’Or winning Anora, spoke to the LFF audience about wildly differing reactions to his films, and why ‘non-professional actor’ is a damaging term.

At his LFF Screen Talk, the Dune director spoke of the formative influence of Steven Spielberg, the female characters at the centre of the Dune franchise, and the scar that reminds him not to act.

Director Gary Dauberman’s long-gestating adaptation of Stephen King’s small town vampire story plays with vampire conventions to create suspense rather than surprise.

In the late 1940s and 50s, comedy horror was dominated by a series of films bringing Universal’s top-billing comedians Bud Abbott and Lou Costello into corny collision with various old-school ...

Catherine Breillat’s Romance confronts sexual taboos and desire, explains Leslie Felperin, while Linda Ruth Williams interviews the director. From our October 1999 issue.

Déa Kulumbegashvili follows up her masterpiece Beginning (2020) with an unflinching story of a Georgian obstetrician whose career is threatened by her reputation as an abortionist.

An amnesiac pieces together fragments of his life and lost love in Weightless. Italian director Sara Fgaier tells us about her ambitious use of archive footage to evoke a passing era.

Burke makes a rare screen appearance in Blitz as “lovely and horrible” gang-leader Beryl. She discusses being directed by McQueen, her disinterest in awards, and being drawn to nastiness.